Exit West (after Mohsin Hamid)
2020
Photopolymer intaglio
10.25" x 7.75"
Before Dawn
2020
Photopolymer intaglio
7.75" x 10"
Late Fall
2020
Photopolymer intaglio
7.75" x 10"
Late Fall II
2020
Photopolymer intaglio
7.75" x 10"
St. Mark's
2020
Photopolymer intaglio
5" x 7"
Sunflower
2020
Photopolymer intaglio
7.75" x 10"
Behind the Cupboard Door: Essential Worker
2021
Photopolymer intaglio
Passage
2021
Photopolymer intaglio
Dust Bowl
2022
Photopolymer intaglio
Brewing
2022
Photopolymer intaglio
Springwilde
2020
Photopolymer intaglio
7.75" x 10"
Untitled
2021
Photopolymer intaglio
7.75" x 10"
Behind Main Street
2020
Photopolymer intaglio
7.75" x 10"
Before the Felling
2020
Photopolymer intaglio
7.75" x 10"
After the Felling
2020
Photopolymer intaglio
7.75" x 10"
In Winter
2021
Photopolymer intaglio
7.75" x 10"
Untitled
2021
Photopolymer intaglio
7.75" x 10"
Shed on Maple II
2021
Photopolymer intaglio
10" x 7.75"
Late Daylight
2020
Photopolymer intaglio
7.75" x 10"
On 116
2020
Photopolymer intaglio
7.75" x 10"
Another
2020
Photopolymer intaglio
7.75" x 7"
After
2020
Photopolymer intaglio
10" x 7.75"
Untitled
2021
Photopolymer intaglio
Cataclysm
2021
Photopolymer intaglio
7.75" x 10"
Cataclysm II
2021
Photopolymer intaglio
7.75" x 10"


Alice replied, rather shyly, “I—I hardly know, Sir, just at present—at least I know who I was when I got up this morning, but I think I must have been changed several times since then.”

— Lewis Carroll, Alice’s Adventures in Wonderland


The precarious, ever shifting balance of mind/body, both cognitive and emotional, is simultaneously fascinating and unnerving. Our perceptions, and thus our reality, are dynamic, restricted by our anatomy and subject to the perturbations of our physiology caused by the interactions of internal and external stimuli. My deep interest in the mind/body, at once fragile and resilient, arises from my work with clients in psychotherapy, psychiatric emergency services and social work; over 20 years of Vipassana meditation practice; and my personal struggles with loss, grief, pain, fear and depression, i.e., life.


In this body of work I try to convey the challenge of finding equanimity - perhaps even beauty - during times of disorientation, perceived crisis. Each of the prints is made from a single image shot through glass or water such that reflections on the surface intermingle with objects on the other side of the glass or water. This, I felt, was the closest means to capturing distortions organic to one’s perception.


The process of creating this work itself involved the cycle of finding/losing/ refinding equanimity throughout the inevitable successes and failures. It represents the challenge of finding balance in virtually everything we do - the Buddhist “middle way.”